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src="http://www.channel4.com/entertainment/t4/media/pf/contextbanners/stars-strapline.gif" alt="Stars" width="200" height="110" border="0"><img src="http://www.channel4.com/entertainment/t4/media/pf/contextbanners/stars-banner.jpg" alt="Stars" width="560" height="110" border="0"> </div>  <div id="main" class="col"> <table id="featurebox" cellpadding="8" cellspacing="8" border="0" summary="0"> <tr> <td class="blueborder mesh leftcol"> <div id="box-content"> <div class="pictureheader blue">The Bourne Ultimatum</div><br> <img src="/entertainment/t4/media/B/bourne_172.jpg" alt="The Bourne Ultimatum" class="featureimage"><br> </div> </td> <td class="blueborder mesh rightcol"> <div id="box-content"> <div class="featureheader blue">Julia Stiles Interview</div><br> Directing her own film radically changed the experience of working on The Bourne Ultimatum for Julia Stiles.<br><br>Stiles, 26, wrote and directed her own short, Raving, and says that she arrived on set for The Bourne Ultimatum with a new found respect for director Paul Greengrass and his crew.<br><br>"I finished it right before I came to do Bourne and it gave me a whole different perspective on the movie making process," she says. "I was a lot more indulgent of other people’s jobs in a good way. <br><br>"So I’d pay a lot more attention to what Paul's choices were and how he was going to shoot a scene. And if there were delays on set it didn't bother me at all because I completely understood that it had to do with things outside my control."<br><br>A glossy American magazine gave Stiles the opportunity to try her hand at directing. "I was interested in cinematography and I was reading a lot about the technical aspects of film making but I never thought I'd have the opportunity to direct. <br><br>"But then Elle magazine said they were doing a series of short films and would I be interested in directing one and I was sceptical at first because I though they’d want it to be about fashion. But when I wrote the story, which seemed kind of unconventional, they said yes and I was thrilled and I only really did it because I had the opportunity.”<br><br>Stiles joined Matt Damon and the cast for The Bourne Ultimatum, the third film in the highly acclaimed franchise and her character, Nicky, has appeared in each one. This time out, Nicky is crucial to the story.<br><br>"I had such a fun time," she says. "It’s a great crew and fun to work with the same people again. There were a lot of familiar faces. And this one was different for me because I was a lot more involved in what happens to my character and the changes that were made. I told that I was going to be more vocal this time."<br><br>One of the hallmarks of the Bourne franchise has been the exotic locations featured in the films – and Ultimatum is no exception, filming was based in Pinewood Studios in England but the production travelled to Berlin, Madrid, New York, Paris, Riga (in Latvia) and Tangier in Morocco.<br><br>"We were there during Ramadan which meant that a lot of places were closed and the Moroccan crew were fasting, and the British crew, out of respect, if we wanted to eat or drink we did it in private," says Stiles. <br><br>"But it was great, I’d always wanted to go to Morocco and Tangier is an unlikely destination. It’s really a port city and it was definitely an experience and it was beautiful - you get this beautiful ocean view everywhere. It was interesting but that’s what’s great about these movies they take you to places you wouldn’t otherwise go to. We were there for a month and it’s a different experience from being a tourist."<br><br>Stiles has proved herself one of the most versatile young actresses working today. The eldest of three children born and raised in New York, she made her acting debut at just 11 years old in an off Broadway play. <br><br>She trained at New York's Professional Children's School and made her screen debut at 15 in I Love You, I Love You Not. Her impressive film resume includes State and Main, The Devil’s Own, 10 Things I Hate About You, Hamlet, Mona Lisa Smile and The Omen.<br><br><b>Q:</b> You’ve been in all three of the Bourne movies. How does this compare as an experience?<br><br><b>A:</b> I had such a fun time. It’s a great crew and fun to work with the same people again. There were a lot of familiar faces. And this one was different for me because I was a lot more involved in what happens to my character and the changes that were made. I told Paul (Greengrass, director) that I was going to be more vocal this time. For the first one I was really young and so I just left it to everyone else to tell me what to do. In the second one, Paul and I discussed how he didn’t really know what my character was doing in the first one and we wanted to exploit that. She might have seemed like the quiet mouse in the corner, whereas actually she had more information and was more threatening that you expected. But with this one I was just more involved with the day-to-day script changes and giving my opinion about what my character would do and I think because Paul and I worked together before it was easy.<br><br><b>Q:</b> It sounds to me from talking to Paul (Greengrass) and Matt (Damon) that Nicky is much more central to what’s going on this time. Is that fair?<br><br><b>A:</b> Yes and she’s a lot more complicated. Before she was really just a company woman. She really had no power at all and she had to follow orders. And she was still a sort of believer in the whole operation. And then in this one she’s starting to question the agency and she thinks that what they’re doing is morally suspect. So she wants to get out and she has to figure out how to do that and stay alive.<br><br><b>Q:</b> And does she enlist the support of Bourne to do that?<br><br><b>A:</b> Yes, but their relationship is a bit more complicated and I never know how much to give away. But is also more complicated because she wants to enlist Bourne’s help but obviously they have a past together. In The Bourne Supremacy he threatens her life but he didn’t kill her and there is even more than that because something else happened between them…<br> <br><b>Q:</b> So it’s stuff that the audience didn’t know had gone on before?<br><br><b>A:</b> Yes.<br><br><b>Q:</b> That’s the great thing about the Bourne franchise; rather like the protagonist the audience is never really in full possession of all the details.<br><br><b>A:</b> Yes. <br><br><b>Q:</b> They’re very cool and very hip but also very on the button because they capture the rather murky times that we live in.<br><br><b>A:</b> I think that’s to Paul and Matt’s credit because they’re both very interested in politics. And we’ve managed to add an element of that to the story without detracting from the action. Without beating you over the head with politics. Somehow politics and current events are used without making them the central issue. And from a conspiracy theorists perspective, the movies are very interesting.<br><br><b>Q:</b> And we live in times where conspiracy theories abound.<br><br><b>A:</b> Yes and also I remember Paul saying with the second one that the books were really irrelevant because they’re all about the Cold War and that’s not interesting for modern day audiences. So he tried to update that with themes about oil corruption and all the things that are plaguing our current administration. <br><br><b>Q:</b> You’ve worked with Paul and Matt several times. It seems to me that Paul’s background in documentary making really suits the way that you guys shoot Bourne.<br><br><b>A:</b> Yes, I guess because he used to work at Granada Films and he would do war torn countries and documentaries and it definitely influenced Bloody Sunday and definitely Bourne. <br><br><b>Q:</b> Do you like the fact that this can allow more spontaneity on the day when you’re filming? Or is that a bit of a myth?<br><br><b>A:</b> Oh no, it’s great actually. A lot of people think when they hear about script changes and they hear about re shoots or additional photography they think that’s a bad sign for a movie, but it’s not to do with the quality of the movie it has to do with the way that Paul works and it’s actually really exciting. It can be very frustrating in the sense that you go to work and you know you’re going to have to learn your lines at the last minute and that can be anxiety provoking but it’s actually exciting and it keeps you on your toes. And what Paul does is he’s constantly questioning the choices that he’s making, so he will be in the middle of a scene and he’ll change a bunch of lines of dialogue in a significant way. But that’s because that’s the fluid way in which he works and what’s great too about the way he shoots it is that he’s extremely fast, so he does a lot of hand held camera angles and you always have to be paying attention because you never know what he’s grabbing with the camera. So it’s not just, they’re going to shoot you in close up now. He can be shooting you in close up and then grab a shot of your hand. <br><br><b>Q:</b> And do you like working with Matt?<br><br><b>A:</b> Yes in the same way. I’m amazed at how he works. It’s really draining for him because he’s the one in every scene and they were shooting for seven months and they’re travelling all over the place and there’s a lot of action scenes in all these movies. He’s just so dedicated to making sure that it’s as good as it can be. <br><br><b>Q:</b> These films have received critical acclaim and box office success. What do you think people like about them?<br><br><b>A:</b> I think it’s a couple of things. First and foremost the main character. Even though he has extraordinary aspects to his character - his mastery of languages and his ability in martial arts - I think there is still something very accessible about Jason Bourne. He’s not your typical action hero in that people can relate to Matt and they certainly like him but also there is a human quality to Jason Bourne. He has a conscience and even though he’s a trained killer he feels bad about it and he’s struggling to figure out how he ended up in this position and who he really is. And so there is vulnerability there that audiences like. Also, there’s vulnerability but also he’s really tough, or butch as Matt and Paul would put it. But then I think also there is an intelligence to the way these stories are created because you’re not just dealing with one person’s struggles with memories but also with world politics. <br><br><b>Q:</b> Another thing that audiences like is that you actually go to these different places rather than creating them on a back lot. Which places did you go to?<br><br><b>A:</b> I was in Morocco first and then Spain. And it’s important to do that because I don’t really think you can recreate some of these locations. And I think a lot of what happened in Tangier was observed and so Paul incorporated it into the film and so there are some really great moments and sound effects that happen because we were actually there, unexpected surprises. You can obviously recreate these places but it takes a lot of observation and you still miss out on even just the feeling that the crew have while they’re there.<br><br><b>Q:</b> What was it like in Tangier?<br><br><b>A:</b> We were there during Ramadan which meant that a lot of places were closed and the Moroccan crew were fasting, and the British crew, out of respect, if we wanted to eat or drink we did it in private. But it was great. I’d always wanted to go to Morocco and Tangier is an unlikely destination. It’s really a port city and it was definitely an experience and it was beautiful - you get this beautiful ocean view everywhere. It was interesting but that’s what’s great about these movies they take you to places you wouldn’t otherwise go to. We were there for a month and it’s a different experience from being a tourist. <br><br><b>Q:</b> Matt says that for him No 3 wraps the story up for at least a significant amount of time. He said maybe 10 or 15 years down the line if there was an interesting way of doing another one, maybe. But at the moment he feels that’s it. What’s your take on that?<br><br><b>A:</b> What is impressive to me about the creative team behind this, Matt and Paul and Frank Marshall is that when they made Supremacy and then decided to make Ultimatum, they really took their time to come up with a story and they didn’t rush into anything. And I think that shows the franchise has a lot of integrity and if they were ever to do a fourth they’d only do it if it was the right time and if they had a story that seemed worth it.<br> <br><b>Q:</b> Matt was saying that in the last Bourne, too, exactly how it was going to end was kept vague right up until the last minute to allow the possibility that they might do something different…<br><br><b>A:</b> Yes, I know they shot the ending of the last one three weeks before it opened and it wasn’t because they didn’t have a good ending. It was because Matt came up with an idea and everybody liked it and they had the dedication to shoot it before it opened.<br><br><b>Q:</b> I think you wrote and directed recently yourself? What was that experience like. Did it give you a thirst to do more?<br><br><b>A:</b> Yes, I did a short film. It was terrific and I had such a good time. It was also an eye opening experience. I loved being on set and constantly working and constantly having to be attentive, whereas when you’re acting you have a lot of down time. I loved working with the actors and the design team and editing too. And it was really helpful because I finished it right before I came to do Bourne and it gave me a whole different perspective on the movie making process. I was a lot more indulgent of other people’s jobs, in a good way. So I’d pay a lot more attention to what Paul’s choices were and how he was going to shoot a scene. And if there were delays on set it didn’t bother me at all because I completely understood that it had to do with things outside my control. I was interested in cinematography and I was reading a lot about the technical aspects of filmmaking but I never thought I'd have the opportunity to direct. But then Elle magazine said they were doing a series of short films and would I be interested in directing one and I was sceptical at first because I though they’d want it to be about fashion. But when I wrote the story, which seemed kind of unconventional, they said yes and I was thrilled and I only really did it because I had the opportunity.<br><br><b>Q:</b> Where did the story come from?<br><br><b>A:</b> The title is Raving. It’s a play on that word because the two characters involved are kind of raving. One girl is a club kid from New York City and the other an older man. You see him in his routine going to work every day in this corporate office building and you start to realise that he can’t get through security and he’s been fired a long time ago. And because of their interaction with each other he starts to confuse her with his wife, who has also died. So he’s raving (mad) in his own way too. <br><br><b>Q:</b> Has it made you want to do a full-length feature?<br><br><b>A:</b> Yes, I just saw Sarah Polley’s film that she directed with Julie Christie and she’s 28 years old and that was very inspiring for me. I thought, “Well she did it!”. Yes I would love to do a feature length film although it would have to be the right story. So I’m racking my brains at the moment. I think it would have to be something contained and small budget. I made sure with Raving that it would be something that was manageable for me. So there are a lot of locations in New York City.<br><br><b>Q:</b> Did you appear in Raving yourself?<br><br><b>A:</b> No. I know some actors do but I think that you need the actors to be absorbed in front of the camera and the director where they belong behind the camera.<br><br><br> <div style="vertical-align:top"> <b>Back to T4<br><br></b> <a href="www.channel4.com/t4" class="boxLink" ><img src="/entertainment/t4/media/pf/buttons/back.gif" alt="Back to T4"></a>  <br><br></div> </div> </td> </tr> </table> </div>   <div id="rhc" class="col"> <div class="rhcstyle"> <div class="pad8"> <img src="/entertainment/t4/media/pf/headers/listings.gif" width="81" height="22" border="0" alt="Listings"><a href="/entertainment/t4/T4-listings.jsp?day=SATURDAY"><img src="/entertainment/t4/media/pf/headers/sat-on.gif" width="35" height="22" border="0" alt="Sat"></a><a href="/entertainment/t4/T4-listings.jsp?day=SUNDAY"><img src="/entertainment/t4/media/pf/headers/sun.gif" width="39" height="22" 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